From left to right: Nagamimi, Mataichi, Ogin, and Momosuke.

The anthology series is certainly an interesting creature. Relying on smaller, bite-sized stories, usually with little or no connection, this type of show relies on writing more than possibly any other type of series. In anime, the problem is exacerbated by the smaller episode counts (usually 12-24) and smaller budgets than most TV shows. Because of this, several shows of this type (most recently for me, “Ayakashi: Samurai Horror Tales”) tend to be decent, but not amazing. Some of them are downright awful.

But Natsuhiko Kyogoku’s “Requiem From the Darkness” is a unique gem even in this unique category. It is, ostensibly, an anthology of horror stories, each connected by a central cast of four characters and each one focusing on the myriad of awful things people are capable of doing. But unlike most of its ilk, Requiem carries itself with an interesting sense of style (and, dare I say it, a bit of swagger) that elevates it from “a solid horror series” to an altogether unusual experience all its own.

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